Gathering Threads

Smocking Projects, Winter and Spring

Posted by on Feb 14 2012

Another session of swimming lessons is upon us, which means another session of easy to smock from the sidelines garments under way.

Here’s the first one, which is a square yoke design from AS&E #30, published in 1994.   It’s one I’ve had my eye on for a while and when I found a deep brown and scarlet all over paisley during a recent visit to Len’s Mill (the same trip I found the cat fabric, actually) I immediately thought of this design.  The sample garment used a fabric with very similar shades, although it did have a touch more olive in it.

I’ll be using a different pattern, since the magazine patterns run sizes 6 thru 8.    I still have to pleat the long sleeves, which are also smocked.  Here’s how the inspiration looks:

I don’t actually expect Ellie to wear this dress until next fall, so I’ll make it in a size 4 but the single colour trellis is perfect for the mindless smocking I get to do poolside.   I don’t have to keep track of a pattern or colour shifts.   It’s just a matter of smocking until my dripping mermen reappear.

Then I’m taking a different tack with this spring sundress.  It too is an AS&E design, called “Little Sweathearts”.    Issue #38.  I liked the unusual revers on the dress front – it’s not fussy and can worn year round with the addition of tights and a long sleeved shirt.

The fabric is some that I purchased in Paris last summer at a ‘coupon’ or discount outlet.  It’s scrumptious printed batiste, 54″ wide.   The entire waist is pleated in half-space rows and then smocked in six-stitch flowerettes.  I toyed with bulking up the pleats with interfacing but instead, I simply cut the panels wider than the recommended width  and starched the upper edge stiffly to compensate for the light weight fabric.

I had a heck of a time finding the right shade of pink.  I simply couldn’t find one with the right deep raspberry shade in either DMC or Anchor.  I ended up compromising and using some “Rose” brand floss instead that I picked up 5 for a dollar.  It bled like you wouldn’t believe but after rinsing and soaking it five times, I’m confident the colour isn’t going anywhere now.

These two projects should keep me occupied until the end of the session, don’t you think?

A Quick Winter Jumper

Posted by on Jan 31 2012

We celebrated the boys’ birthday last weekend (and no, you won’t be seeing picture after picture of an immaculately planned, exquisitely executed party complete with matching themed everything on this blog.  I make a homemade chocolate cake.  I iced it.  It sort of looked like a lego block.  Sort of.  Regardless, the children ate it/smeared it/devoured it and I am comfortable with that level of motherly love.  Live with it :))

The reason I am telling you this is not to announce my ceding of the crown to Martha “it’s a good thing” Stewart but to say that my niece and SIL came down to celebrate with us, which gave me a chance to whip up a quick outfit for Ellie.  I’m quite busy at work and sewing gives me a chance to relax.  All the same, I wanted something fast, so I chose this cute jumper from a 2005 issue of Ottobre (the same issue that her raincoat came from, actually).

Ottobre2005

I know it looks like an infant’s garment but it went up to a size 3 (98cm) so it worked perfectly for E.  I picked up the fabric – a vibrant cat print – from Len’s Mill.  My niece has a thing for our cat, Puss.  Or as she calls her, “Puss-eee”.  The fabric was an end, bright enough that she’ll still be able to wear it in the spring with a t-shirt but dark enough that it’s appropriate for winter wear, too.  It’s a very, very light twill.

All of the buttons, studs and the clasps are stash, from a jean making frenzy I entertained (briefly) when David was about five.

In fact, I wouldn’t have minded it having a little more weight to the fabric, given the weight of the findings but interfacing the yoke took care of the problem well enough that I was satisfied.

I top stitched with machine quilting thread.  It could have stood to be a little thicker, too since the fabric was so busy but I was stash diving and I wasn’t going out for more thread.  I also toyed with adding some machine embroidery to the front yoke or pocket but I was going for “quick and easy” here.  It’s too easy to get sucked into adding one more thing each and every time.   Like Odysseus, I resisted.

There are some very nice details to the pattern(it’s Ottobre – that’s no suprise) for such a quick project.   The front and back bibs are fully faced and the button extensions work up really nicely.  Here’s a CU of the side placket.

All told, it was about 45 minutes to trace and cut and another 3 1/2 to sew it up.  I did forget the belt loops but by the time I remembered, I was going to have to get my seam ripper involved to fix the oversight so I just left it as it was.  Ellie really liked it and I almost wish the dress came in larger sizes – I could definitely see this working up in a myriad of ways.

A Handpainted Monogram Tutorial

Posted by on Jan 11 2012

I painted our entrance hall over the Christmas holidays.

Everyone seems amazed that I tackled it but given the immensely large projects we’ve tackled holidays past (new heated ceramic tile floor in the kitchen, gutting the bathroom, installing a main floor laundry) a little paint on a teeny-weeny kinda room is a piece of cake.

The hall was *green* before and if there’s one colour I can’t stand, it’s green, especially, wishy-washy, my food’s gone kinda mouldy green.  Now, it’s a lovely grey with taupe undertones, crisp white trim and lots of black accents.  I haven’t taken any finished pictures of the space as I’m still putting the finishing touches on but here’s a little sneak peak with an embellishment project I did to tackle a ‘blank’ space that stood out like a sore thumb.

There’s a transom over our front door.  Once upon a time, back when our house was built in 1874, there must have been glass – probably stained glass — in it but  it’s been filled in and now it’s just a big white rectangle above the door. Very boring. But have no fear! Thanks to my new obsession with Pinterest, I found the solution.

Initially, I looked a vinyl decals but they were all more money than I wanted to spend, since the awkward space would require a custom decal.  So I went to the Graphics Fairy and looked through her selection of swirls and flourishes until I found a simple shape that I liked: something with a vintage style that wouldn’t take me until 2013 to paint.

Graphics fairy swirl

Then, I created an artboard the exact size of my transom (32″ x 15″).  I resized and reoriented my swirly doodad in Illustrator and paired it with a half dozen or so different ‘B’s, trying them on for size. Ultimately, I ended up using Imprint MT Shadow, sized to 320mm and slightly fattened.

Next I saved it as a pdf file and printed it by tiling the sheets. Then it was as easy as simply matching the registration marks and taping the page together.  If your name begins with a ‘B’ and you want my already tiled, ready to print design, you can get it here.  If you want to have another letter, you’ll need to modify it in Illustrator.  That file is here.   As always, the credit/acknowledgement, plays nicely with others rules are in effect, OK?

To get it from paper to wall, I got a big sheet of 18″ x 24″ carbon paper from the art store around the corner for $0.79 (yup, I’m the last of the big spenders :)) and taped it up against the transom. As you can see in the picture, I then taped my trimmed design on top of it, centering it horizontally and vertically with painter’s tape.

Then, I spent some quality time at the top of my step ladder, tracing over the outlines with a pencil.  When I was done, this is what it looked like (I know it’s a little faint but that was the idea – faint is good for the overall project, bad for the step by step photos.)  If I was doing it again, I probably would have used a pencil crayon – it was a little challenging seeing my pencil lines and knowing where I’d already traced.

The carbon paper worked perfectly.  No smudges, just a clean, crisp line that came off when you rubbed but stayed put if you treated it gently.

Then I got to work painting.  I used the same semi-gloss black Pittsburgh paint I used for doing up all of the accessories in the hall.  A little went a long way – I might have used two tablespoons, if that.  I used a #4 Shader, which is a flat, square brush about 1/4″ wide and a #2 Fine, which I used for doing the thin detailed lines.

I’m sorry I didn’t get any mid-paint pictures but between juggling the palette (a meat tray with a thumb hole cut in one end) and staying inside the teeny-weeny lines, I just forgot.  I found that one coat gave nice coverage, with a second, thinned coat to smooth out any wavery lines and uneven spots in the large curlicues.

Here’s the finished monogram and I really like it.   It’s got the vintage feel I was going for and the handpainting makes it look personal without getting too ‘homemade’.  From start to finish, including the computer design time, tracing and painting was about 2 1/2 hours.

Now the hall is back to normal – jammed with winter coats, messy boots and the mail enroute to the office.  But it looks so much better and when I get my photo wall done, I’ll try and show you pictures of the whole thing.  Happy painting.

David’s Guitar Quilts Pieced

Posted by on Jan 03 2012

It’s a Festivus Miracle.

David’s pair of guitar quilts, which I started back in *mumble, mumble, shuffles feet* February of last year are finally pieced.  I’ve been working on it sporadically, piecing  the elements but never really getting the push to get it all together.  Finally, between Christmas and New Year’s I decided enough was enough and I wanted to wipe my sewing slate  clean of the biggest project I didn’t complete in 2011.  Ten months is certainly long enough and I’m frankly ashamed it took that long.

Here’s the result.  I also completed a second, identical quilt since Davey has bunk beds in his room.

The quilt pattern is ‘Diamonds’ from the February 2011 issue of Quilter’s World.  I changed the colourway entirely, basing it around the Michael Miller fabric ‘Jam Session’.  There were a lot of great colours to pick out – taupes and grey, a muted teal and a couple of different shades of brown.  Very appropriate for a boy and when I re-do David’s room this summer (we have to hang new drywall and do some electrical), I’m going to be taking my paint  from the fabrics there, too.

These funny lumps kept showing up in the pictures.  I don’t know what they are.  Specks on the camera?  Wrinkles in the fabric?   Try and ignore them 🙂

I think that these quilts will age well – I didn’t want to do anything that would be inappropriate or too young in the coming years.  At the speed I quilt, longevity is a key concern.  As you can see in the close-up the dark and light blocks are identical but by turning them 180 degrees, they form a really interesting diagonal design.

I actually met with the long arm quilter today and discussed the quilting since I’m not tackling the quilting myself.  I just don’t have the set-up for it and struggling with a full quilt under the arm of a smaller sewing machine isn’t my idea of fun.   Struggling with it twice?  Even less fun.  Alison’s great and I think she’s going to be doing a guest blog here on the site in the next little while.  Her work is gorgeous and I’m looking forward to her sharing some of her best quilting tips.

Now I have three more smocked dresses to complete and my SAGA samplers to mail off and then the slate will be completely open.   The New Year’s gotten off to a great start for me.  What projects do you hope to wrap or tackle this year?

Smocking Updates

Posted by on Dec 13 2011

December is such a busy month but I have managed to sneak in some smocking and thought I’d show you a few progress shots.

I’ve finished the ribbon embroidery and all of the embroidery on “Felicia“, a square yoke dress I started *ages* ago.  It’s been tucked up in my smocking basket, waiting for me to get my act in gear.  This past weekend, I did and completed the scrolling detached chain leaves on either side of the floral centre.  I want to move ahead with assembling it but that will have to wait until my machine comes back from the shop.  Feed dog issues. 🙁

But I do like the ribbon work.  It’s 100% silk ribbon.  Some of it is variegated, some of it is solid coloured but it’s all very soft and rich.  I’m sure someone with more experience than me would have had a prettier back (think Jackson Pollock, if he smocked) but for a first attempt, I’m happy.  It looks a little cock-eyed because it hasn’t been blocked or steamed yet – once it is, the points will square up.

Then there’s this bishop.  It’s a Russian doll print (or poupée russe as the French call it) that I picked up at Reine fabrics when I was in France this summer.

I only got 1 m of fabric because when I bought it I didn’t know what I was going to make with it, so this bishop took some creative cutting.  It was 60″ wide, which made it easier but I’m planning on showing you how I tackle the hem with coordinating prints to compensate for the fabric limitations.   When I’m done, you’ll (hopefully) never know it was a patch job.

The dolls are what attracted me – they’re just so adorable.

I still have to finish the points and then work red bullion flowers along the centre.  It’s going to be very fun and cheerful when it’s finished.

Then I have a couple more smocking projects I want to show you.  I’m working on my first video tutorial which I’ll get up in the new year and I want to show you my sampler for the SAGA Artisan program, which I am pleased to say I’m on the verge of completing (the first level at least).   Should be fun.

Now I have to run and work on getting my to-do-before-Christmas list tackled.