Gathering Threads

Bin There, Done That

Posted by on Oct 03 2011

You know those sewing projects that seem like a good idea when you start out?

The ones you’ll be able to sew up quickly?  Use up some stash, try a cute new pattern and knock off another to-do on the list?

That won’t take a lot of fiddling or squidging or would-you-just-lay-flat-you-stupid-piece-of…because they’re just so simple a monkey could sew them?

But that somehow, midway through, turn into one of those hair-yanking, toss it all, will it ever be finished frustrations?

Yeah.

This dress is one of those.

Looks pretty innocuous, right?  It’s “Abigail” from Cheryl Lohmann’s “Smocking” and from the picture in this little book, it seemed awfully adorable.   Sewing it up though was anything but adorable.

It came as close as anything I’ve sewn in the past few years to being a binner because from the get-go, everything was a challenge and it shouldn’t be.  IT’S A SLEEVELESS SUNDRESS!!!

I can sew a sleeveless sundress – when the pattern actually works, which this one didn’t on so many levels.  Now I don’t expect perfection.  Almost every pattern has a few areas I tweak as I sew or that I have to work around.   It happens.  But when the entire pattern is nothing but sew arounds, my patience evaporates at an incredible rate.

First off, there’s no clear blocking guide or explicit measurement like “block to 11 3/4”.  You just have to guess how wide you need to block the finished smocking to. OK.  I’m good at math.  I can do that.  So I measured the top yoke, added in the width of the armscye and blocked it to that number.  Next, there was no guide fro cutting out the armscyes.  I’m assuming they just wanted me to fold the facing pattern piece in half but why?   Why not include the actual blocking guide and save all the confusion?  And what about seam allowances during blocking?  Included?  Excluded?  No idea, so I made up a guide as best I could figure and as I’m sure you’ve all experienced, guessing never comes out well.

But I forged ahead, stretched that smocking as wide as I dared, attached the piping, gathered the back skirt, seamed the sides and put on the front yoke, just like the instructions told me to.

The results weren’t pretty.

The straps were so short that when I put it on Stanley there was a 2 1/2″ gap between the top of the front yoke and the end of the straps.  I said a very rude word and stomped off to bed.

The next morning, I came up with an ugly but workable solution.  I folded out the front yoke and simply drew in a new neckline.  This added 2″ to the front and with a bit of tugging, I could finally get the straps to meet the front yoke.   Of course, since I’d already pressed it, I ended up with a nice permanent fold line right across the chest but screw it.  I wasn’t binning a handsmocked dress.

I folded the yoke in half vertically so it would be symmetrical and cut out my oh-so-exact new front yoke lines.  Then I cut another rectangle, made more piping and sewed the whole thing together.

Here are the results and all I can say is I hope the little girl I made this for moves around a lot.   Galloping horses and what have you.

The armscyes are tiny and ill-fitting.  They’re just not big enough.  They pull and ride up even now.

The chest is so tiny – it’s more like a size 2 in circumference, and any resemblance to a size 4 is entirely accidental.  And you can see how much I stretched that smocking – lots of nice bubbles present from being overly stretched.  🙁  And it’s still too narrow.

The dress is so long that I ended up consulting my Aldrich for sizing, cutting off three inches, making a 1″ tuck and a 5″ hem.  And it’s still tea length.

The armhole facings are skimpy and insufficient.  I had to catch stitch them down, just to stop them from rolling up.  A full front lining would have been much better, or deeper facings at the least.  Just one more thing that made me go grrrr…

So for the first time ever, I am giving a pattern a DNS rating.

In other words, don’t sew this pattern.  The instructions are lacking, the pattern pieces don’t even have grain lines and the fit is so bad that it will not work without major modifications.  Save your time and your effort for something that actually goes together well.

The smocking plates included in the book are quite cute, so the book isn’t a total loss but the pattern I sewed was so badly done that I won’t even bother testing the other one, which also has some nice lines.  I’m just not willing to waste my time to find out that it too is created from such skewed blocks.  *stomp, stomp, stomp*

Fall Sewing

Posted by on Sep 19 2011

Hard to believe but the summer really is over.

Dug up the garden over the weekend. The blackberries are cut back now, as are the raspberries. Took out the corn stalks and the beans. The tomatoes are still going, albeit a little more slowly, so I left them in.

And I started some new projects.

A wool coat for David.

Polaris Coat

It’s a lovely boiled herringbone and the interior is this really dark olive quilted fabric. He chose the fabric and the pattern and as a result has been hovering in my sewing every time I sit down to sew. I only got a few hours on it. I’ve sewn the lining and got a start on the shell. Unfortunately, I managed to kill my edge stitch foot (it got caught in a seam and just went ping!) so until I can get down to my sewing machine store, I’ll hold off on any of the topstitching.  Nothing looks more homemade than wonky topstitching.

A front buttoning bishop using some really cute russian doll fabric I picked up in France over the summer.

russian doll fabric

It took some creative cutting but I squeezed it all in. It’s been sewn togethter, now I just need to find a few minutes to run it through the pleater. I’ve chosen a geometric plate from an old AS&E book and then it will have a contrasting band at the CF and around the hem. Should be very cute.  Not really a fall dress but I’ve blown my fabric budget for this year and am determined to sew nothing but stash for the rest of the year.

Then in the finish up category, I’ve got a partial yoke dress to finish embroidering and assemble, David’s guitar quilt to start assembling and a round yoke bishop with fall fabric to complete.

Enough to keep me out of the pool hall, I think!

Fall 2011 Smocking, Quilting and Sewing Courses

Posted by on Sep 10 2011

Once again, I’ll be teaching creative sewing and smocking classes at Mohawk College.  You can check out all of the great continuing education courses being offered this term in their online catalogue.

From one day and two day courses, to longer courses that take place once a week, there’s something for everyone, regardless of your skill level.

I love teaching  and love sharing my enthusiasm (obsession?? :)) with others.  If you’re in the Hamilton/Brantford/GTA area and want to learn a new skill or just refine it, I hope you’ll sign up today!

  • Fashionable Rainwear 4 weeks, starting Wednesday Sep. 21-Oct. 12 7-10pm
  • Quilting – A Basic Introduction, Saturday, Sep. 24 9-4:30pm
  • Quilting – 4 Block Sampler 4 weeks, starting Thursday Sep. 29-Oct. 20 7-10pm
  • Learn to Smock 4 weeks, starting Wednesday, Oct. 26-Nov. 16.  7-10pm.
  • Quilt – Log Cabin Friday, Oct. 28 7-10pm, Saturday Oct. 29 9-4:30
  • Cross-Stitch, An Introduction, Friday Nov 4 7-10pm, Saturday Nov 5 9-4:30
  • Smocked Tree Ornament, Saturday, Nov. 26, 9:30-3:30

To register, call Bonnie Pataran at 905-575-2307 or by email at bonnie [dot] pataran [at] mohawkcollege [dot] ca

A Very Tiny (Free) Smocking Design

Posted by on Aug 30 2011

It’s been a while since I’ve posted any new smocking designs, so here is a quick and easy trellis band.

This one is very small – perfect for a baby’s nightgown or when you just need a small amount of something at the centre front.  Then again, it would be a simple matter of extending the design and working it across the whole width, or even doubling or trebling the bands by repeating rows 2-4 so that it was 7 or 10 rows deep.  Lots of possibilities for making it your own. You can find a pdf of this free smocking plate by clicking here.

You can also check out other original designs by clicking on ‘Smocking Plates’ in Categories, which will show you all of the different free designs I have uploaded to my blog.

Directions

1.  Pleat 6 full space rows (4 rows + 2 holding).  Unpick and tie off 26 pleats.

Row 1: Beginning with an over cable, cable across row.

Row 1 1/2 – 2: Beginning with an over cable, work a half space row of two-step trellis.

Row 3 – 3 1/2: Work as for row 1 1/2 – 2.  After the row is completed, work two more identical rows of half-space two step trellis, each 1/4 row above the first, aligned with rows 2 3/4 and 2 1/2.

Row 4: Work as for Row 1.

Embroidery:  Work 4 french knots in between the trellises along row 1 1/2.  Work pairs of angled detached chain for the leaves.

As always, you are welcome to share this plate with friends but please, don’t repost or resell the designs and remember to credit my website.

Tutorial: Designing Geometric Smocking Plates in Illustrator Pt 3

Posted by on Aug 13 2011

This is the third part of my tutorial on designing geometric smocking plates.   For the first two parts, including the illustrator file you’ll need to complete this tutorial, click here and here.

If you haven’t completed the first two tutorials, you’ll want to practice and complete them first before tackling the final tutorial on creating geometric plates, as I build on the basic skills from each of the earlier lessons.  You’ll find the first two tutorials and all related downloads here:

Tutorial: Designing Smocking Plates in Illustrator
Tutorial: Multi-Coloured Smocking Plates in Illustrator.

60.   Using the direct select arrow (Hotkey: A), select any stitches that extend past the pleats.  Delete them.  Tip:  Because the symbols are grouped, using the selection arrow (Hotkey: V) would highlight the entire grouping; using the direct select arrow allows you to remove only those elements or even individual bezier points without effecting the rest of the design.

61.  When you have cleaned up all of the rows, your plate should look like this:

62.  Open the layers window (F7).  Lock the ‘cables’ and ‘crossover rows’.  Unlock and highlight the ‘row’ row.

63.  Drag the ‘Title’ symbol from the symbols window onto the plate.  Drag the ‘row number’ and place it on the upper holding row on the left side of the graph.

64.  Change the keyboard increment (Ctrl+K) to 16mm.

65.  With the ‘row number’ highlighted, hold the Alt key and tap the down arrow, until each gathering row is numbered.

66.  Select all of the row numbers and the title symbol (Ctrl+A).

67.  Click on ‘Break Link to Symbol’.

68.  Using the type tool (Hotkey: T), rename the smocking plate “Cross Over Trellis” and your name.  Renumber the row numbers H, 1-9, H.

69.  Depending on which version of Illustrator you are using, the following message may appear:

If it does, click ‘update’ so that you can modify the text.

70.  Open the swatches window (Window>Swatches).  Click on ‘new swatch’.

71.  Create a new swatch with the following details:  Swatch Name 3053 Green Gray, Color Mode RBG, R 156, B 164, G 130.  Click ‘OK’.  A new swatch will appear in your swatch library.  When you roll your mouse over it, the name of the swatch and its DMC colour will appear.  Tip: for a complete list of DMC colours translated into RBG, click here.

72.  Repeat the process from #71 to create three additional DMC colours.  All the colour modes are RGB:

3831 Raspberry Very Dark, R 179, G 47, B 72

3883 Raspberry Light R 234, B 134, G 153

3716 Dusty Rose Med. Very Light R 255, B 189, G 189.

Tip: although it takes a little longer to manually create these new swatches, the advantage is that the swatches can be used for any plate you design and your colourways will be consistent between designs.  If you are making a simple design for individual use, using the colour window and choosing the colours by value is fine.  If you are planning on making your plates available for sale or publication, having consistent values and a ready made swatch book that corresponds to actual DMC thread numbers is advisable.

73.  In the layers window, lock the ‘row’ row.  Unlock the ‘crossover’ row.

74.  With the selection tool (Hotkey: V), highlight the cross-over rows.  Click on ‘break link to symbol’

75.  With the cross-over rows still highlight, click on one of your new colour swatches to change the cross-over rows’ fill colour.

76.  Return to the layers window and lock the ‘crossover’ row.  Unlock the ‘cables’ row and following steps 74-75, colour the rest of the plate to your taste.  When you are finished it will look something like this.

77.  Save your tutorial as ‘crossover trellis-yourname’.  This tutorial will print to an 8 1/2 x 11 sheet of paper.  It can also be saved as PDF for stable digital transmission.  To do that, click ‘Save As’ and change the file format from ‘Adobe Illustrator’ (*.AI) to ‘Adobe PDF’ (*.PDF).

78.  To make your own designs, reopen the file ‘tutorial3.ai’ and click File>Save a Copy>geometric original.ai.

79. Now, have fun making your own designs!  That’s the most important step of all. 🙂